Tag Archives: Thrillers

Need An Adrenalin Rush? Read a Thriller by Christine Husom

Some years ago, I left my job as a corrections officer, working with inmates in a jail, to take care of my mother who was a victim of dementia. I knew the change would be challenging, but what I hadn’t considered was that I would miss the adrenalin rushes, common in my former position. Then I went to a thriller movie that was excitingly scary and kept my heart pounding to beat the band through much of the two hours. I left the theater happy, and a little surprised by that. I hadn’t thought of myself as an adrenalin junkie up to that time.

So if you find yourself craving a little excitement, sit down with a thriller. One that will keep you on the edge of your seat. In our everyday lives, very few of us are involved in thwarting assassination attempts or acts of terrorism. All the while, trying to stay one step ahead of the bad guys who would surely want to kill us. Thankfully. But a huge segment of the population likes to read about people who are.

What distinguishes a thriller from other mysteries? For the most part, they are fast-paced, action-packed stories where a smart, resourceful hero must stop an enemy and his or her evil plan without getting killed himself. They are often large scale crimes or plots such as mass murder, or over-throwing a government. But there are also thrillers where an innocent victim is dealing with a crazy person who is out to get them. The suspense drives the narrative, sometimes with ups and slight downs, sometimes with constant thrills. They maintain tension to the final climax when the protagonist defeats the antagonist.

According to Wikipedia, “Thrillers emphasize the puzzle aspect of the plot. There are clues and the reader/viewer should be able to determine the solution at about the same time as the main character. In thrillers the compelling questions isn’t necessarily who did it but whether the villian will be caught before committing another crime

“ . . . Usually, tough, resourceful, but essentially ordinary heroes are pitted against villains determined to destroy them, their country, or the stability of the free world. Often in a thriller the protagonist is faced with what seems to be insurmountable problems in his mission, carried out against a ticking clock, the stakes are high and although resourceful they face personal dilemas along the way forcing them to make sacrifice for others.”

There are any number of types of thrillers in the genre, including: psychological, spy, legal, crime, espionage, terrorism, military, mystery, medical, political, adventure, religious, historical, etc. They are set in small towns, large cities, on the seas, exotic islands, polar regions, desolate areas. Anywhere the author can spin a thrilling tale that keeps the reader engaged to the end.

Do you have any favorite thriller authors, or books you’ve enjoyed? Or, if you write thrillers, please tell us about them.

Christine Husom is the Second Wind author of the Winnebago Mystery Series. Her fourth book, The Noding Field Mystery will be released Fall, 2012.







Filed under writing

Words Yipping at my Heels

I just finished taking a look at two thrillers, both big, slick, well-touted works. Although they had interesting plots, there were so many point-of-view characters and so many incidents that the stories never seemed to go anywhere. I finally got tired of the words yip-yip-yipping at me and closed the books.

Ahh. Silence.

Three-hundred-page manuscripts used to be common, but the size of books grew along with the influence of corporate booksellers. Not only did large books make people think they were getting more for their money, they were well suited for mass displays. As with other merchandise, perception of worth apparently supersedes true value.

Big books are divided into short chapters and those chapters divided into smaller and smaller segments that make the book easy to put down and pick up at odd intervals for attention-challenged readers, but those small segments make it hard for a reader who wishes to identify with a character and be pulled into another reality.

Some books don’t lose anything by being big and thick. Although toward the end I did get a trifle tired of Stephen King’s latest work, he managed to keep my attention all the way through. No mean feat. But most big books today can do with some serious editing to better focus the plot and give some depth to the characters and stop that incessant yipping.

I used to feel guilty that my own books were only about three hundred pages; obviously something is wrong with me if other writers can churn out words by the hundreds of thousands. But I want my words to signify something, to be worth the time it takes to dig them out of my psyche. And I want my characters to be more than mere types. I don’t know if I will ever become the writer I wish to be, but I know one thing: I won’t be creating overblown, yippy works; the words come too hard. Besides, I would rather readers complain that my books are too short than slam them shut to get a bit of silence.


Pat Bertram is the author of Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. All Bertram’s books are available both in print and in ebook format. You can get them online at Second Wind Publishing, Amazon, B&N and Smashwords.  At Smashwords, the books are available in all ebook formats including palm reading devices, and you can download the first 20-30% free!


Filed under Pat Bertram, writing

Last Day to Enter to Win Books for a Year!

If you haven’t already entered the contest to win a copy of every book  Second Wind Publishing will release in 2011,  leave a comment on this blog post. That’s all you need to do to! (Besides keeping your fingers crossed, that is). Contest ends December 31, 2010. Here is some added inducement (all these books are scheduled to be released in 2011 — click on a cover to learn more about that book):


Filed under books, writing

How Can You Be a Writer if You’re Not a Reader?

I  read a number of blogs. One blog I regularly read is written by an agent. On this particular occasion there was an informal discussion going on between several agents and editors, chatting about a dichotomy between readers and writers. The gist of it was that there were a whole lot of writers out there that weren’t readers. People convinced that they had a “book or two in them.” Or people who feel you can’t read other’s work in your genre because it will interfere with your “voice”

To me, the question has always been how can you effectively write a book if you don’t read them? Base it on TV? Your fascinating life? Because you’re a professional writer on the job?

I write many things professionally, articles, seminars, notes, and lots of reports. I’m writing something every day and while I don’t have the time to read six or more books a week anymore, I do read something everyday. I read for pleasure. I also read to keep an eye out for what is selling, what’s not, styles of writing, and premises used.

I write creatively and have completed two 90k contemporary romance manuscripts of a trilogy and I’m working on a paranormal trilogy. So, I’d say I had “a book or two in me”. I’ve told stories all my life. I come from a very creative family of oral storytellers and published authors.

My love of books came from reading voraciously throughout my life. As a child my parents and grandparents felt to be well read one must read classic literature first. I was also encouraged to branch out and explore various genres, not just one. Consequently, I regularly read various sub-genres of romance, paranormals, suspense and thrillers, and I love Sci-fi. You could say I’m a mood driven reader. I’m the same with music for much of the same reasons-my parents and grandparents.

There is a perception out there that you can’t read another’s words when formulating your stories-something nonsensical about copying the voice or premise, yada yada. To me, that’s BS. My voice is mine and doesn’t change just because I read someone’s work.

I often think about how coaches train their athletes. It isn’t by ignoring the competition. To the contrary, they watch recorded games of the competition so they can be better. Actors know the style of other actors-they watch them. You don’t think musicians aren’t aware of those who produce the same style of music? Or artists aren’t aware of whose style is similar?

As an author, to know what’s marketable you have to read it. Analyze it. That’s keeping your finger on the pulse of market.

I’m a marketing/promotion rep by profession, to sell my products and people; I have to be familiar with what’s out there. Is their product comparable? Better? Worse? How is it packaged? Any book I write is my product and to market it effectively I have to know what’s selling, what my target demographics are and why.

So, you want to be a author? Read. Particularly in your genre. Know what’s selling out there and why.


Filed under writing