Tag Archives: reader

It’s Readers and Writers Week on the Match Game – by Sherrie Hansen

This March, I’m going to be speaking to a group of bed and breakfast innkeepers on the subject of how and why we choose accommodations when we travel. Of particular interest to this group is:  When people are planning a trip, how do they start looking for a place to stay? Do they have a favorite booking platform or do they prefer booking direct? Do they even consider looking at B&Bs or do they automatically head for the big chain hotels? What are some things that attract or discourage them from staying at a  B&B? What catches their eye, makes them stop and take a second look, and press the RESERVE button – or turn around and run as quickly as possible  to the local Motel 6?

BlueBelle 2016.jpg

As an author of ten books, soon to be eleven, I often ask myself the same sort of questions. Why do people buy my books instead of the thousands of others on the book shelves or the millions of others available online?

Sometimes I think the hardest thing about being a writer is finding readers who are a good match with the books we’ve worked so hard to write.

This isn’t the Match Game, but I’m going to make a go at helping you to determine if you and my books would make a good pair.

Love Notes - Winter

  1. You might like my books if you’re from Minnesota, Iowa, or anywhere in the Midwest.

I was born and raised in Minnesota. I’ve lived just 9 miles south of the Minnesota border, in Iowa, for the past 26 years. If you have ties to either state and like stumbling upon familiar places in the books you read, you will probably like my books. Most of my Wildflowers of Scotland novels even have Midwestern characters scattered throughout – hopefully just enough to make you feel at home.

Daybreak in Denmark (3)

  1. You might like my books if you enjoy being surprised when you’re reading.

My books are character-driven and as different from one another as each person is unique – anything but cookie cutter. Some have a mystery to solve, some are a tad bit suspenseful, others, completely relational in focus. A few have Christian fiction leanings, while others are on the steamy side. A number are set in Scotland, and soon to be two, in Denmark. Most are romances, but my new book, Daybreak, focuses on a married couple and what happens when happily-ever-after doesn’t turn out the way you thought it would. Golden Rod has a pair of 500 year old ghosts. Although I will admit to having kidnappings in two of my books, you’ll find that each of my novels follows its own unique template. I like to think they’re refreshingly unpredictable and far from formulaic.

Wildflowers

  1. You might like my books if you enjoy having characters from previous books reappear in future novels.

My books aren’t serials – each of them stands alone, but several are linked together in groupings for those who enjoy getting a second or third glimpse of their favorite characters. My Wildflower of Scotland novels (Thistle Down, Wild Rose, Blue Belle, Shy Violet, Sweet William, and Golden Rod) are interconnected through family and friends, as is the Maple Valley Trilogy (Stormy Weather, Water Lily, and Merry Go Round) through the lives of sisters Rae, Michelle, and Tracy. Daybreak, to be released this summer, is a sequel to Night and Day, and has cameo appearances by characters from Love Notes and Sweet William.

Pinterest

  1. You might like my books if you’re a follower of mine on Facebook, Pinterest, Twitter or Instagram.

I truly believe that the things we like, comment on, and post about on social media are a window into our general aura and a commentary of what’s important to us. If you like my perspective, the things I focus on and take photos of, the music I listen to, the foods I make at my B&B and teahouse, and the paintings I create in my spare time, you’ll most likely enjoy my books and the characters I write about, all of whom are a reflection of me, my style, and my passions.

Golden Rod (3)

  1. You might like my books if you’re a small town girl – or guy – at heart.

Whether my books are set in Minnesota, Iowa, Wisconsin, Canada, California, Denmark, Scotland or France, they have small town or even rural settings. They’re populated by people who love wide open spaces and seeing the sun sink into the horizon at the end of the day, and who appreciate and can chuckle about the quirky personalities that are a part of small town living.

Night and Day (1)

  1. You might like my books if you enjoy knowing both sides of the story – from a somewhat experienced point of view.

My books are all written in two or more points of view. At least one is a woman’s, and the other, a man’s. Some say I’m more adept at writing the male point of view. And speaking of characters, mine are a bit more grown up than some, with most ranging from their late thirties to early fifties. They’re not superhuman or stupendously sexy or heroic. They’re rarely virgins or too young to know better. They’re nice, normal, slice of life, girl or boy-next-door kind of people – believable, relatable, and loveable despite their flaws and shortcomings.

If you’ve read any of my novels, you can probably think of a few more reasons you enjoy my books and choose them over the millions of other options available to you. A friend of mine once said he never wanted to be accused of being normal. I’ve tried to apply this concept to every part of my life, whether my B&B, teahouse, art or writing. I don’t know if I’ve inspired anyone new to give my books a try, but I’ve enjoyed giving you a glimpse into what makes me and my books unique. To those who are already readers, or who have visited The Blue Belle Inn, my B&B and teahouse, thank you for coming along for the ride! It means the world to me.

P.S. If you’ve enjoyed one or more of my books like I hope you have – or visited the Blue Belle Inn, please remember that authors and innkeepers need reviews to attract prospective readers and guests!

SW 143

Twenty-six years ago, Sherrie Hansen rescued a dilapidated Victorian house in northern Iowa from the bulldozer’s grips and turned it into a bed and breakfast and tea house, the Blue Belle Inn. Sherrie grew up on a farm in southern Minnesota and has lived in Bar Harbor, Maine, Colorado Springs, CO, and Augsburg, Germany. She attended Wheaton College, Wheaton, IL. After 12 years of writing romance novels late at night when she couldn’t sleep, she met and married her real-life hero, Mark Decker, a pastor. Sherrie lives in 2 different houses, 85 miles apart, and writes on the run whenever she has a spare minute. With her Wildflowers of Scotland novels, “Wild Rose”, “Blue Belle”, “Shy Violet”, “Sweet William” and “Golden Rod”, she has ten books in print, most featuring a “second-chance-at-love” story. Sherrie enjoys painting, playing the piano with the worship team at church, photography, decorating historic homes, and traveling. You can learn more about her books by visiting  http://amazon.com/author/sherriehansen

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The Importance of Imagery–by Deborah J Ledford

In my opinion there is no better way to set a scene or mood than by implementing imagery.  Visuals of a particular location, or even within a single room, provide an enormous amount of information about your characters to the reader.  Also, what a character sees outside a window can tell us how they view their world.

Does your hero find himself in an unfamiliar and unsettling locale?  Perhaps the buzzing streetlamp he stands under blazes blue light down on him, seemingly to draw unwanted attention to him—yet this is the precise spot where he’s been told to wait in order to receive the clue which will save the heroine’s life.

Your villain can be clearly established by the way he carries himself, or perhaps consider a prop for him/her to use.  In my upcoming novel Staccato, presented by Second Wind Publishing, I use the device of a walking stick which my villain wields, at times with brutal effect.  The tap tap tapping of the villain’s cane striking the gleaming marble floor as he moves closer amplifies the fear and trepidation evident by my hero’s stuttering heartbeat.

Setting the scene visually is highly advisable so that the reader can place themselves in your characters’ shoes.  Indicate what the character sees and implement as many senses as possible—particularly when the reader is visiting the location for the first time.

Add personal details visually.  There may be a cherished item you want to highlight (a locket always worn, a lucky charm), a deficit that adds intrigue (a tick or habit), or perhaps there is something your character avoids (a framed photograph that is always placed face-down on a table, a locked door never entered).  These visuals or images are compelling devices to implement—the reader will be compelled to keep flipping the pages to the very end of your book.

Accessing existing photographs are an ideal way to set the mood for a scene.  I often use photos to kick start a project.  There’s nothing better for breaking a little writer’s block than to dig out a picture and truly assess a capture in time.  Focus on the entire element then break down the image piece by piece.  Implement a character or two within that setting, and viola you have begun crafting a short story that could very well turn into novel.

Imagery is a snapshot within the scene.  If carefully crafted, these images will be ones your reader will not soon forget.

 

Deborah J Ledford is the author of Staccato, scheduled for release by Second Wind Publishing later this summer.  Please visit her website at: www.deborahjledford.com.

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If you have to explain it isn’t working.

I’m in the front row these days, having recently been published here on Second Wind with debut novel Safe Harbor.

This far from gets me off the target of critique. If anything it rather makes my work a bull’s eye. I’ve gotten my share of comments, complaints and suggestions. I decided very early to consider each of them carefully and do my best not to get defensive.  Getting defensive only serves to put off readers.

Listening and carefully filtering what other people have to say has made me a better writer.

I note some aspiring authors want to argue with readers, instead of asking why it’s confusing, not well executed. 

When an aspiring author posts parts of their writing to a social board or blog, they should expect readers to express their opinion. They are giving their time to your unpublished work, and as such should be treated with respect. Telling the reader they are wrong, or that it is explained in the next chapter isn’t respectful. 

When you go into a bookstore is the author of every book standing next to their displays? No, and you won’t be either.

If you don’t catch a reader in the first paragraph, it doesn’t matter how brilliant the rest of the book is. They will put it back on the shelf and move on until one does capture their attention.

Should you listen to every criticism? Of course not, you’d go crazy trying to make everyone happy..it can’t be done.  When the same comment is repeatedly being made, give it consideration.  Could that many readers have simply misunderstood your intent? Or as an author did you fail to convey it properly?

Social sites and contests are a great place to learn. Take advantage of the reader’s observations, and learn from them. Writing is a solitary occupation. Sharing your work is not.

Sherilyn Winrose

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