Tag Archives: Deborah J Ledford

Novel Writing Tips and Techniques From Authors of Second Wind Publishing — Excerpt: Weather

Novel Writing Tips and Techniques from Authors of Second Wind Publishing is the 100th book published by Second Wind.  The book is dedicated to everyone who made this accomplishment possible: our authors, our readers, our friends, and our followers. Thank you!

EXCERPT FROM NOVEL WRITING TIPS AND TECHNIQUES FROM AUTHORS OF SECOND WIND PUBLISHING

IMPLEMENTING WEATHER AND ATMOSPHERE

By
Deborah J Ledford
Author of:

Staccato, Snare, and Crescendo

Atmosphere is a captivating way to introduce a scene. Try featuring weather to enhance the tone for a setting.

During one of the last chapters of STACCATO, Nicholas confronts the man he always thought of as his closest friends—who turns out to be the co-conspirator in the death of his love. The end of the scene takes place outside the morgue. A storm is brewing in the North Carolina night:

“Why? Nicholas shouted. “Tell me, you bastard. Why did this happen?”

Sampte kept his chin tucked to his chest, refusing to look at Nicholas.

A flash of lightning lit the area, halting all action for a moment. A deafening crack, followed by a train-like rumble resounded through the trees.

When Sampte raised his head, Nicholas searched the man’s eyes for any clues. Instead, he recognized the flat, resolved gaze, rivaling a look only Alexander could brandish.

To Nicholas, Sampte’s silence seemed louder than the thunder.

In SNARE the implication of a storm is introduced when Steven Hawk takes in a vision as he arrives in Taos, New Mexico. The danger for Katina remains and he has no idea what he will encounter in the days ahead:

As the vehicle approached the airport exit, Hawk noticed a massive billowing white cloud high in the air that encompassed a third of his vision. The formation reminded him of a natural Hiroshima bomb mushroom. He hoped the duality of beauty versus tragedy wasn’t an omen of what was to come and pushed aside the troublesome thought.

***

Novel Writing Tips and Techniques is available from Second Wind Publishing, Amazon (Print & Kindle), Barnes and Noble (Nook), Smashwords (all ebook formats including palm devices)

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Interview with Deborah J Ledford, Author of Crescendo

cres_137x212What is your book about?

CRESCENDO is book three of my Steven Hawk/Inola Walela thriller series. Inola carries this book as the only female Native American cop of a small western North Carolina town, searching for a little boy no one but her believes is missing.

What inspired you to write this particular story?

I’m a former screenwriter so ideas and snippets of stories come to me visually. One of the most compelling scenes in CRESCENDO presented itself one morning, that of Inola, gun pointed at a woman standing next to a vehicle stopped at the shoulder of a highway, duffle bag tucked under her arm, the other hand clutching a handful of money, bills swirling in the air.

I pay attention when such a strong visual is presented and this scene became instrumental in piecing together the entire novel.

Do you have specific techniques you use to develop the plot and stay on track?

I don’t use an outline, but I do implement a chapter breakdown as I work. Essentially a one-paragraph wrap up of what happens in each chapter after it is written. For the chapters I don’t quite have figured out, I leave those chapters on the breakdown blank and move down to the elements I know I want to implement. This may be merely a line of dialogue, or a climatic element I will flesh out later. The point is to keep going until I reach the end of the first draft. I also keep track of my word count output each day. I keep a yearly Planner that is only for my writing and publishing accomplishments. I find that when I keep track of how many words I’ve written this keeps me focused and helps me meet my goal. I do a word count after I’ve finished for the day and jot that accomplishment on the calendar.

Do you think writing this book changed your life? How so?

CRESCENDO puts Inola in the spotlight more than Hawk—although he is still a major player and Inola would be nothing without him in her life. During the course of the Steven Hawk/Inola Walela thriller series the lead and even secondary characters have evolved to true members of my family. And while researching for the books I’ve had the opportunity to meet people I never would have had the opportunity to know. Like Inola, writing the series has given me a purpose and goal to present my very best work as a writer.

What are you working on right now?

I’m in pre-production mode to record and distribute the audiobook version of CRESCENDO and SNARE which will also benefit a Native American language and culture foundation.

What advice you would give to an aspiring author?

What every other published author recommends: butt in the chair, don’t give up, polish, submit. Most of all, once you’ve submitted your manuscript to agents/publishers start another novel or short story. Rejections don’t hurt as much when you’re in love with another project.

*  *  *

Deborah_J_Ledford-114x160Deborah J Ledford is the author of the Steven Hawk / Inola Walela suspense series, including: CRESCENDO, SNARE—The Hillerman Sky Award Finalist, and the New Mexico-Arizona Book Awards Finalist in the Mystery / Suspense category. The classical music-themed STACCATO is book one. She is a three-time nominee for the Pushcart Prize and her award-winning stories appear in numerous print publications as well as literary and mystery anthologies. Part Eastern Band Cherokee, Deborah spent her summers growing up in the Great Smoky Mountains of western North Carolina, the setting for her psychological suspense thriller novels and many of her short stories.

Click here to buy: Crescendo

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Novel Writing Tips and Techniques From Authors of Second Wind Publishing — Excerpt: Settings & Mood

Novel Writing Tips and Techniques from Authors of Second Wind Publishing is the 100th book published by Second Wind.  The book is dedicated to everyone who made this accomplishment possible: our authors, our readers, our friends, and our followers. Thank you!

EXCERPT FROM NOVEL WRITING TIPS AND TECHNIQUES FROM AUTHORS OF SECOND WIND PUBLISHING

Captivating Settings

By
Deborah J Ledford
Author of:

Staccato, Snare, and Crescendo

MOOD TO CONVEY SURROUNDINGS

At the top of chapter 22 in STACCATO the lead investigators witness the surroundings where Nicholas’s vehicle is found:

Hawk and Stiles arrived to a scene bathed in generator-driven white-blue spotlights. County vehicles were parked on U.S. Highway 74, resembling a young boy’s scattered toys. The cruisers’ revolving red and blue lights added to the eerie glow.

One hundred yards below the roadway, officers milled about on the muddy bank of the Nantahala River. They searched the area around the crushed vehicle, barely recognizable as a black Porsche. The sports car sat precariously on the riverbank, suspended by a cable attached to the rear of a tow truck.

White-capped ripples rushed past, glinting in the moon’s light. It had been hours since the Porsche had been discovered, but the scene still buzzed with activity.

This is an example of mood conveyed within setting at the top of chapter 57 in SNARE:

Hawk’s shoulder throbbed. Shooting pains that ripped to the bone brought tears to his eyes. The smell of fresh coffee and baking pie would normally be inviting, but instead, his stomach churned in a cataclysm of nerves. Every sound seemed amplified. Even the clock over the stove ticked louder than he thought possible.

***

Novel Writing Tips and Techniques is available from Second Wind Publishing, Amazon (Print & Kindle), Barnes and Noble (Nook), Smashwords (all ebook formats including palm devices)

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Novel Writing Tips and Techniques From Authors of Second Wind Publishing — Excerpt: Interior and Exterior Settings

Novel Writing Tips and Techniques from Authors of Second Wind Publishing is the 100th book published by Second Wind.  The book is dedicated to everyone who made this accomplishment possible: our authors, our readers, our friends, and our followers. Thank you!

EXCERPT FROM NOVEL WRITING TIPS AND TECHNIQUES FROM AUTHORS OF SECOND WIND PUBLISHING

Interior and Exterior Settings

By
Deborah J Ledford
Author of:

Staccato, Snare, and Crescendo

BE CONCISE IN DESCRIBING INTERIOR SETTINGS

Let the reader become comfortable. Show them the room or area your characters will inhabit. For instance, in SNARE, the reader learns quite a lot the first time we meet Katina’s nemesis, her father who has just been released after seventeen years in prison after killing her mother:

In a flophouse off 37th Street, Karl Brandt lay on the thin mattress in his third-story room studying a discolored splotch on the ceiling. The quiet made him uneasy and restless. Muffled street sounds urged him from the bed. He wrenched the window open and sat on the radiator beneath the glass to watch the strangers below. Accustomed to seeing only prisoners’ orange jumpsuits or correctional officers’ bland uniforms, he still had difficulty taking in the brightly colored clothing of the passersby.

 

In STACCATO, this is what the unofficial mortician of Swain County, North Carolina, finds in his morgue:

Once inside the morgue, he wedged a straight-back chair under the knob. He flipped on the light switch and the fluorescents hummed and flickered, then bathed the room in its flat, blue light. Henri’s mouth dropped open. He froze, gaping in disbelief. Six, black plastic-covered bundles seemed to swallow the light.

TAKE YOUR READER “THERE” WITH EXTERIOR SETTINGS

 You have the opportunity as a writer to take readers where they may have never visited before. This is a perfect way to show exactly what you wish to convey.

In SNARE, Hawk experiences Katina’s upbringing when he sees the traditional structures on the Taos Pueblo Indian reservation:

Two massive structures bookended a narrow creek. He counted five stories of staggered, uneven rooflines covered in more of the smooth mud, the levels stacked on top of each other like twin rectangular tiered cakes. Doors the color of turquoise marked openings in the walls.

***

Novel Writing Tips and Techniques is available from Second Wind Publishing, Amazon (Print & Kindle), Barnes and Noble (Nook), Smashwords (all ebook formats including palm devices)

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Novel Writing Tips and Techniques From Authors of Second Wind Publishing — Excerpt: Captivating Settings

Novel Writing Tips and Techniques from Authors of Second Wind Publishing is the 100th book published by Second Wind.  The book is dedicated to everyone who made this accomplishment possible: our authors, our readers, our friends, and our followers. Thank you!

EXCERPT FROM NOVEL WRITING TIPS AND TECHNIQUES FROM AUTHORS OF SECOND WIND PUBLISHING

Captivating Settings

By
Deborah J Ledford
Author of:

Staccato, Snare, and Crescendo

One of the most important elements for any writer is to establish a “voice”—one that is recognizable, and somewhat expected by the reader as you continue to present more works. The ideal way to imprint your particular voice, cadence, tempo, tone is by setting your scenes. Once you truly place the reader at the location, whether it is a city, neighborhood, store or house, they become comfortable and willing to take the journey with the characters you present.

I write psychological suspense thrillers, therefore ominous settings are crucial in my novels. In this chapter you will find examples from STACCATO and SNARE to give you an idea of my personal writing voice when it comes to settings.

It is important to put the reader at ease and to give them a visual at the beginning of each chapter, especially the first time the location is presented.

The first scene of STACCATO, our hero, the twenty-year-old world-class pianist Nicholas Kalman discovers his father’s journal hidden away in the music room of the mentor who has raised him for a decade:

Compelled by the words, he found it impossible to re-shelve the book, or to dismiss the pages as utter fiction. He wondered what the written implications meant for him. Reading his father’s recollections, he had fallen under their spell. His father warned of the seductive elements to be cautious of—things that had already ensnared Nicholas.

Looking around, he recognized what his father had described as cunning manipulations of deceiving comfort: first edition books exhibited within walnut cases surrounding him in a ritualistic circle, the ebony Steinway grand piano that sat regally upon a platform in the middle of the music room, exactly as the writings stated. The details even noted how flames from the fireplace bathed the Pakistani rug in an amber glow.

In the introduction scene, first pages of SNARE, we meet eight-year-old Katina Salvo and within a few paragraphs discover the life she is burdened with in 1995:

She wished for a radio or record player, anything that might drown out the sounds. She wondered how long this fight would last. There had been so many in the past few weeks. They seemed to get worse each time.

Streaked ivory wallpaper peeled near the heat register in the cramped bedroom, furnished only with a twin-sized bed and scuffed desk. The room displayed none of the comforts the few kids she knew took for granted. A tattered, handmade quilt, passed down from her father’s mother, offered the only color in the room. Its unraveling edge brushed against the frayed braided rug on the floor.

Both of these examples provide setting information for the reader, and the details show insights to what have formed these characters as people.

Every element you introduce must be used somewhere within the novel you are writing. Think of this as foreshadowing what will come. Make certain that each prop (such as furniture) introduced is instrumental and will be used later in the novel. The point is not to introduce anything that will not be useful to the reader. Be careful of “info-dumping” when it comes to creating your settings.

For instance in SNARE, this is the description of the stage where Katina Salvo will perform live for the first time—where chaos soon ensues:

Stage lights were now set for a mere amber glow and soon she could make out a knot of people near the stage opening at the farthest end of the wings. As she moved to them, she noticed someone had closed the main curtain and she realized the effect would add to the mystery. It would also provide a much more dramatic entrance than if the drape were already open.

In STACCATO, Nicholas’s nemesis, Alexander Boden, is described in the setting Nicholas always thought of as home, where terror now reigns. This passage is described within the journal by Nicholas’s father that the son has discovered adds to the suspense that follows:

Lips holding an easy smile. Clothes flawless and crisp, shoes polished like mirrors, cufflinks gleaming in tailored shirts. The cane tapping.

Tap. Tap. Tap. You hear it approaching, but you can’t escape.

***

Novel Writing Tips and Techniques is available from Second Wind Publishing, Amazon (Print & Kindle), Barnes and Noble (Nook), Smashwords (all ebook formats including palm devices)

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The Importance of Secondary Characters by Deborah J Ledford

Have you ever read a book and found the secondary characters more fascinating than the leading men or women? I must admit, the only reason I pick up a Patricia Cornwell book is to read about Scarpetta’s niece, Lucy, and to see if Pete Marino is still kicking. And let me tell you, when two of my favorite mystery authors, Louise Penny and Craig Johnson don’t feature their fantastic cast of secondary’s, I get beyond angry and frustrated.

I’ve had a blast creating a supporting cast for CRESCENDO. Tried and true, rock and Hawk’s right-hand man Deputy Kenneth Stiles can be found in book three of the series, as well as Mama and Annie, but I’m most excited about introducing Inola Walela’s grandmother, Elisi to readers.

Elisi is full-blood Cherokee, lives on the North Carolina reservation, is a weaver, and knows her hard-headed but warm-hearted granddaughter even better than Hawk.

After a routine traffic stop involves a shooting, Inola is forced to watch from the sidelines as her colleagues investigate the case she’s stuck in the middle of. As the only female Native American Bryson City, NC cop, she must always play her A game, but now her best efforts, training and capabilities are shunned.

On official leave from the force while her case is being investigated, Inola reluctantly allows Elisi to join her in the hunt for a young boy no one—not even Hawk—believes is missing. Their exploits include amusing banter, contentious friction about their past relationship, and conflict that ultimately brings them closer as Inola travels a journey where she vows: Redemption with a bullet.

I hope you enjoy the ride!Crescendo F. Cover -w blurb 7 HR-Final

Deborah J Ledford’s latest novel of suspense, CRESCENDO, is book three of the Steven Hawk/Inola Walela series. Other novels include, STACCATO, and SNARE, Finalist for The Hillerman Sky Award and the NM-AZ Book Awards. Deborah is a three-time nominee for the Pushcart Prize and her award-winning short stories appear in numerous print publications as well as literary and mystery anthologies. Part Eastern Band Cherokee, she spent her summers growing up in western North  Carolina where her novels are set. Deborah invites you to visit her website.

 

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Excerpt From “Crescendo” – by Deborah J Ledford

cres_137x212One murdered woman.
A missing child.
The diabolic father who will do anything to get his son back.
The female cop who risks everything to keep the boy safe.

CRESCENDO– Redemption with a bullet

As the only female Native American officer on the Bryson City, North Carolina police force, Inola Walela, must always play her A game. All bets are off when during a routine traffic stop the passenger insists her son has been kidnapped but is struck by a car before Inola can glean any hard facts. An altercation ensues and Inola’s partner is felled by a bullet—possibly from her gun. On administrative leave, fraught with guilt for allegedly killing her partner, and obsessed with the possibility of a missing child out there somewhere, she defies the force and her fiancé, Sheriff Steven Hawk. Inola sets off on her own journey to find the missing boy.

EXCERPT:

Breath catching in her throat, Inola rose to her knees. She winced as more tires screeched. Metal scraping metal added to the cacophony of noise and confusion. “Jesus,” she muttered, taking in the scene: the woman face down on the highway, arms and legs splayed, blonde hair covering her face.

“Inola!” Cody screamed.

She whirled to see her partner struggling with the driver. One handcuff was secured to the offender’s wrist, but the other swayed loose. The two men battled for Cody’s weapon.

A single gunshot split the air.

Inola jumped to her feet, drew her pistol, took a Weaver’s stance and fired. The driver’s mouth opened and closed as he uttered a deep guttural moan.

Inola ran, feeling as though she glided above the roadway. She kept her Glock trained on the driver. He shuddered. Gasped. His body went limp and dropped to a sitting position against the cruiser’s bumper. She kicked Cody’s gun from the driver’s hand and holstered her weapon.

Hand to his neck, Cody grinned shakily and croaked, “Nice shot, partner.” A trail of blood fell downward. Crimson puddled on the white line of the road. Cody emitted an odd gurgle and slid down the cruiser’s grille to plop beside the driver.

It took a moment for Inola to realize the blood wasn’t coming from the prisoner. Thick claret seeped through Cody’s fingers, staining the neck of his uniform and T-shirt, dropping to his hands in his lap.

Fingers shaking, Inola fumbled for the mic on her shoulder. “Officer down! Officer down! This is unit five-one-eleven. Three down. I need three busses.” She strangled a sob. Fury and terror took over all capacity of reasoning. “My partner’s been shot! Officer eleven-seven-four is down. Please…please help me!”

She dropped to her knees and reached out to stanch the flow streaming from Cody’s neck. “Hold on, partner. Medics are on the way.”

“Gave…up,” Cody stuttered. His eyes locked on Inola’s and then he lowered his head.

She followed his gaze to something clenched in his hand. Cody waved a credit card-sized piece of plastic between his fingers.

“Gave…up…”

Inola’s stomach lurched as she took the slick, sticky card. Cody coughed and frothy blood bubbled from his lips. She gathered her partner in her arms and rocked him. “No, Cody. Dammit, don’t give up. Please! Please. Don’t give up.”

Hot wetness soaked the front of her uniform. She clamped a hand over his pulsating wound. His blood oozed between her fingers. Praying for the ambulance and backup to arrive, she glanced around. Her body convulsed as she took in the accident scene that resembled a disaster movie more than a real-life scenario. Cars were parked in a line along the exit ramp to her right. Gridlocked vehicles clogged each lane of traffic, stunned citizens stood a safe distance away. The ashen atmosphere muted every color as fat snowflakes fluttered from the sky.

The sound of footfalls alerted her that danger still loomed. She eased Cody to the ground, slid her Glock from its holster, pivoted toward shuffling steps.

A man approached, a woman’s limp body draped in his arms, blonde hair streaming downward, the hem of her flowered dress skimming the pavement.

Inola assessed the situation—Cody, the lifeless driver, the woman, the stranger. She was about to yell out to put the woman down. Didn’t he realize he had just tainted the scene by moving her? But the look of horror on his face stopped her protest.

“I didn’t mean to hit her.” He lowered to his knees and laid the woman at Inola’s feet. “Please, can you help her? I think she’s dying.”

Inola eased her hand out and carefully swept aside the veil of hair. Her stomach lurched at the sight of the right side of the victim’s head, flatter than it should be. She placed a shaking hand to the white as porcelain neck. No beat pulsated under her fingertips. “I’m sorry,” she told the man.

His shoulders slumped as he mumbled a few words Inola could not decipher.

She wrenched away and hurried back to Cody, pulled him to her lap and resumed clutching his neck. Although the blood had slowed, it continued a thick path and she worried he would bleed out right there in her arms.

“Cody, open your eyes, partner. I need you to stay awake until the medics get here.”

He didn’t stir. Sirens wailed, growing louder with each beat of Inola’s racing heart. Feeling every bystander’s eyes on her, she settled her gaze on the only person who could possibly understand the magnitude of what had occurred—who, too, would suffer the consequences of this unforeseen catastrophe—the man who had also killed someone that day.

*  *  *

Deborah_J_Ledford-114x160Deborah J Ledford’s latest novel of suspense, CRESCENDO, is book three of the Steven Hawk/Inola Walela series. Other novels include SNARE, Finalist for The Hillerman Sky Award and the NM-AZ Book Awards, and the classical-music themed STACCATO. Deborah is a three-time nominee for the Pushcart Prize and her award-winning short stories appear in numerous print publications as well as literary and mystery anthologies. Part Eastern Band Cherokee, she spent her summers growing up in western North Carolina where her novels are set. 

Click here to buy: Crescendo

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Introducing a New Leading Lady by Deborah J Ledford

Crescendo-DJLedford- Front Cover HRFebruary 19, 2013 Inola Walela takes center stage as the leading lady of my latest novel of suspense, CRESCENDO from Second Wind Publishing. Inola is no stranger to readers of my thriller series, but this is the first time Inola has carried an entire book.

For those of you new to the mystery series, Inola is Steven Hawk’s love interest. We jump ahead one year from the previous book, SNARE. Hawk is now the sheriff of SwainCounty and Inola continues on as the only female Native American officer on the Bryson City, North Carolina police force, Inola Walela, must always play her A game. All bets are off when during a routine traffic stop the passenger insists her son has been kidnapped but is struck by a car before Inola can glean any hard facts. An altercation ensues and Inola’s partner is felled by a bullet—possibly from her gun. On administrative leave, fraught with guilt for allegedly killing her partner, and obsessed with the possibility of a missing child out there somewhere, she defies the force and her fiancé, Sheriff Steven Hawk. Inola sets off on her own journey to find the missing boy.

The tagline for CRESCENDO is: Redemption with a Bullet

I knew from day one that Inola would be the lead character for this novel. Like me, she’s part Eastern Band Cherokee and the entire location takes place in the Great Smoky Mountains of western North Carolina where I spent my summers growing up.

No, Inola is nothing like me…but I am very proud to have her in my life, and to present her to you in my latest novel of suspense.

Deborah J Ledford’s latest novel of suspense, CRESCENDO, is book three of the Steven Hawk/Inola Walela series. Other novels include, STACCATO, and SNARE, Finalist for The Hillerman Sky Award and the NM-AZ Book Awards. Deborah is a three-time nominee for the Pushcart Prize and her award-winning short stories appear in numerous print publications as well as literary and mystery anthologies. Part Eastern Band Cherokee, she spent her summers growing up in western North Carolina where her novels are set. Deborah invites you to visit her website.

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Pre-Release Jitters by Deborah J Ledford

Okay, so the final steps for my next suspense novel, CRESCENDO, are at last being taken. All looks great for the February 19, 2013 release date. The cover turned better than I could ever have hoped, two very talented authors provided glowing blurbs for the back cover, the interior look is professional and pleasing to the eye. And after numerous read throughs of various versions my first readers, have given me their blessing…so why am I so nervous?

After all, this is Book Three of the Steven Hawk/Inola Walela suspense series which takes place in the Great Smoky Mountains of North Carolina. I should be over the jitters by now, right?

Well, two full years have passed since SNARE was released and the release phase feels a little new to me. There have been a lot of changes since December 21, 2010 yet I anticipate that nothing much truly changes. I’ll still be doing my best to promote CRESCENDO at my personal page on Facebook, my STACCATO book page on Facebook, Twitter, LinkedIn and Goodreads.

In March I’ll unveil the release at the Tucson Festival of Books and the Left Coast Crime conference, as well as numerous appearances around Arizona.

The CRESCENDO Pre-Order Page is now available on the Second Wind Publishing website. Stay tuned for Amazon, Nook and Smashwords details.

Lots of excitement going on over here as I type this. As well as butterflies, worry that I’ve forgotten something crucial, nervous nights without sleep as I anticipate the birth of my next baby.

I mentioned the cover earlier. This is a visual I’ve had in mind ever since I knew we would be continuing on with the hand theme for the front covers of the entire series. The fantastic photographer, Ted Stratton from Moving Pictures LLC, took the great photograph and the fantastic writer and former art director, Martin Roselius, did the layout.

Crescendo-DJLedford- Front Cover HR

The blurbs come from Jeffrey Siger and Darrell James, both I am honored to say are not only fantastic, talented authors, but also very good friends:

“I love Deborah Ledford. Every time I tried putting CRESCENDO down Ledford hooked me into reading ‘just a few more chapters.’ The action in this book is dangerous to sleep cycles.” ~ Jeffrey Siger, author of The New York Times Book Review Pick for the Summer,Target: Tinos

“Deborah Ledford directs suspense like a highly skilled maestro, taking us on a thrill-ride that builds to a powerful, climactic conclusion.” ~Darrell James, author of the award winning novel, Nazareth Child

Soon all of the hard work over many, many months will soon be over. I can’t wait to receive my box of books from publisher Mike Simpson and his hard working Second Wind Publishing team.

I invite you to join me on the CRESCENDO journey which continues the 5th of every month here at the Second Wind blog.

Deborah J Ledford’s most recent suspense novel SNARE, The Hillerman Sky Award Finalist the New Mexico-Arizona Book Award Finalist, is book two of her Deputy Hawk/Inola Walela thriller series. STACCATO, book one of the serial, is also available. Both novels are published by Second Wind Publishing. To find out more about Deborah, receive a Free Download of the first chapters of her novels, and to read a few previously published short stories, she invites you to visit her homepage at the Second Wind Publishing website and her personal website.

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Top Ten Most Viewed Posts on the Second Wind Blog

The authors of Second Wind have contributed 1,340 posts to this blog. Since all of those posts are exceptional, each in their own way, it would be impossible to create a list of the ten best bloggeries. Thanks to WordPress statistics, however, it’s a simple matter of listing (in descending order) the ten that have garnered the most views:

Do Not Lean by Norm Brown gives simple and profound advice for navigating the curving roads of life.

Puppy Love by Claire Collins is a complete short story chosen to be included in the Second Wind anthology, Love is on the Wind.

Splish Splash, I was Taking a Bath by Sherrie Hansen rhapsodizes about water: too much water, not enough water, life revolving around water.

What is Your Character’s Favorite Color? — by Pat Bertram shows how to use color to help create colorful characters.

Writer Beware–POV Confusion/Character Overload by Juliet Waldron explains the dangers of too many point of view shifts.

One-eyed One-Horned Flying Purple People Eater by Claire Collins is a humorous reminder about how important it is to have the correct wording and order of words while writing.

Writing Outside the Box by J J Dare taps into our quirky side.

The Importance of Imagery–by Deborah J Ledford talks about how carefully crafted images will be ones your reader will not soon forget.

The lure of the dark-side – anti-heroes and anti-heroines by Mairead Walpole tells us what makes for a wonderful and well-rounded anti-hero.

To the women . . . by Claire Collins is a joyous tribute to motherhood.

We hope you will enjoy visiting (or revisiting) these wonderful posts.

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