Tag Archives: anthologies

Developing A Whole New Appreciation For Publishers by Sheila Deeth

I got an email today from one of the bold brave editors of a journal soon to be released by our local writers’ group. She complimented me on the fact that there were fewer egregious errors this year than in last year’s document. The reason, mostly, is I learned from last year’s mistakes and from her excellent efforts in editing them.

A good friend collected all the submissions (over thirty of them!) in files and directories online. Then I spent a week-and-a-half (ask my long-suffering husband–really I did), combining those multiply-formatted documents together, sorting and ordering, setting the styles, and finally doing those painfully slow steps of minimal editing. At the end of it all iI’ve developed a whole new appreciation for publishers. No wonder they have submission guidelines, or they and their long-suffering spouses would all go crazy!

So here, in case you’re interested, is the task I set myself for that week-and-a-half. It’s also the reason I haven’t had time to send in submissions, edit novels, or write any halfway decent blogposts. But I’m sure my novels will be all the easier to read because of what I’ve learned.

General Stuff after formatting the files

  1. Headers: Are the titles consistent—THIS STORY by This Author
  2. Sections: I’m trying to start each section strong and end with a link to the next. Ordering the stories is Aghghghgh!
  3. Contents List: Making sure I don’t lose anything. And
  4. Separators: We settled on single-blank line separators, not stars, not dots, not multiple lines.

Then there are the details

  1. Dashes: e.g
    1. He followed the girl—the one he’d seen before,” with a long dash and no spaces.
    2. counting 1 – 10” has a long-ish dash and two spaces.
    3. And “long-ish” has a short dash within a word.
  2. Ellipses: Three dots within a sentence, no spaces to either side: four dots (three plus a period) at the end. But do we want the Word ellipsis or just the periods?
  3. Paragraphs: Ah, the joys of entries with hard tabs, or, even worse, hard spaces and hard returns! Aghghgh!
  4. Numbers: e.g. two or three, not 2 or 3. But what about dates and times and measurements (I’ll get them right next year).
  5. Italics: for internal dialog, emphasis, and air-quotes. No underlines!
  6. Quote marks and apostrophes: Change vertical ones to “ ” and ‘ ’, (The trials of people using such different programs). Then remove leading and trailing spaces, and make sure punctuation works:
    1. He said, “Go away.” The period goes inside the quote, and there’s a comma before the quote.
    2. “Go away,” he said. There is a comma before the quote mark.
    3. Did he really say, “Go away”? (This is an exception. Since his statement wasn’t a question, the question mark goes outside the quote.)
    4. She said, “What did he say?” (Here her statement was a question, so the question mark is within the quote.)
  7. More About Apostrophes: e.g
    1. Apostrophes replacing missing letters should be of the end-quote style: e.g. ’cause we need ’em, not ‘cause we need ‘em.
    2. No apostrophes for plurals and dates: e.g. 1960s, not 1960’s, IQs, not IQ’s. But note, the ’60s does have a leading apostrophe (for the missing 19).
  8. More About Quotes: e.g
    1. Quotes should start and end with quote marks. If the same quote continues don’t use a quotemark at the end of the paragraph, but start the next with one.
    2. Otherwise changes in speaker should match up to changes in paragraph.
    3. Use commas.  He said, “Okay,” not He said “Okay,” And “Hey, Mom,” not, “Hey Mom.”
    4. Dialog tags should be possible: We can nod, but we can’t nod words.
  9. Capital letters: start sentences and names. Non-names start with non-capitals: e.g. “He asked his mom,” not, “He asked his Mom.” But, “He asked Mom,” not “He asked mom.”
  10. Commas: e.g
    1. They bought apples, pear, and bananas. We decided to keep (therefore have to check for) the serial comma.
    2. He bought apples, and she bought bananas. Commas if the clauses are complete sentences.
    3. He bought apples and went to the bookstore. No comma if the clause isn’t a complete sentence.
  11. Run on sentences: e.g. “It won’t work; there’s nothing to be done.” Not “It won’t work, there’s nothing to be done.”  But don’t change the author’s style.
  12. hyphens  and compound words My favorite bug-bear, or should it be bugbear. We’re going with whatever Word says is right. And finally…
  13. First person pronoun: e.g. I will format, and the file comes from me, so “You and I” will edit now, and the file comes from “you and me.”

Sheila Deeth is the author of Divide by Zero and its soon-to-be-released sequel, Infinite Sum. She runs a writers’ group at her local library and is helping them compile their fourth anthology.


Filed under Sheila Deeth, writing

Author Blurbs

I have two releases coming closer to fruition: Book 2 of my Steven Hawk/Inola Walela thriller series, titled SNARE—in the last few phases of preparation before I submit the manuscript to the publisher. The other is the anthology, How NOT to Survive a Vacation, I’m co-editing for the Sisters in Crime chapter Desert Sleuths which will be released at their upcoming writers conference, August 14th.

For you readers out there, how important are back cover blurbs to you? When you’re considering a new book to read does an endorsement by a published author matter?

Recently I attended two writers conferences where I became closer to quite a few authors I admire. A couple are be positioned to become A listers: Sophie Littlefield with her hard-hitting, yet humorous A Bad Day for Sorry (Minotaur, 2010), and Rebecca Cantrell who presents a vision of 1931 Berlin that you can all but hear, smell and touch in her A Trace of Smoke (Forge, 2010). I cherish both of these writers’ work and their debut releases continue to be my favorite reads of the year. Rebecca’s latest release, A Night of Long Knives and Sophie’s A Bad Day For Pretty are next on my to-read list.

I am thrilled to announce that these two authors have agreed to provide blurbs. How did I go about it? Well, I’m a bit shy, and never intended to ask such a major favor of any author, but decided to put myself out there. I sent them what was essentially fan mail via their websites or social sites. If they responded, I took the next step and expressed how much I looked forward to meeting them at the upcoming conference. At those events, I actually sought them out. What I found were truly gracious, giving writers who have been in the same position, and were quite honored to be asked for their endorsement.

I’m set with blurbs now. For SNARE: Simon Wood, Kris Neri and Dianne Emley are currently reading or will soon receive the manuscript. For the Desert Sleuths anthology, Sophie Littlefield, Rebecca Cantrell, Juliet Blackwell, and thanks to co-editor Chantelle Osman, Kelli Stanley and Simon Wood are waiting to receive the pages in order to provide endorsements.

Are you willing to put yourself out there? Have you used a different tact in securing blurbs?

Deborah J Ledford is the author of the debut suspense thriller novel STACCATO, now available from Second Wind Publishing, Amazon, Kindle, and independent bookstores.


Filed under books, fiction, marketing