Category Archives: Scotland

If a Picture Paints a Thousand Words by Sherrie Hansen

An almost full moon reflected off a pond hugged by beds of flowers in blues, yellows and violets of various heights. In the center, a fountain trickled down the neck and breasts of a stone statue of a woman with full hips and voluptuous curves. The scene was framed by walls of stone and brick etched with pink climbing roses and lavender wisteria. This is what they were going to destroy? (from GOLDEN ROD by Sherrie Hansen)

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As Mark and I head off on another trip to indulge our love affair with Great Britain and research settings of future books, I’m anticipating the release of GOLDEN ROD, the book inspired by last year’s journey to Scotland.

One of the things I most love about writing is the chance to scope out new locations – and with them, the likeable qualities and legends that give the place its charm. When we get home, my pleasure is doubled when I get to sit down with my thoughts, reminisce about our experiences, and craft a story with word pictures about the places we’ve seen.

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Although Rod MacKenzie’s exquisite walled garden and the unique castle pictured on the front cover of GOLDEN ROD are fictional in the sense that they’re not located along the shores of Loch Carron, many of the other spots mentioned in the book are as real as you and me. In the text below, I’m going to share a snippet from GOLDEN ROD followed by a photo of the real life image that inspired it. Craigievar Castle, Leith Hall Garden and Crarae Garden, which I magically transported to the Lochcarron and the Wester Ross area of Western Scotland, are actually located to the east in Aberdeenshire and Argyll. Enjoy!

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The blue waters of Loch Carron disappeared, then reappeared. The road widened. Katelyn glanced out the window and caught sight of a rusty old gate surrounding a cemetery. The stones were all but covered with moldy-looking splotches of who knew what and some sort of green slime that looked straight from the pages of a horror flick.

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A few blocks later, a large white building appeared. The huge black letters on its side wall spelled LOCHCA, followed by an R dangling precariously from what looked to be one nail, and a tenuous RON. Which is exactly what she wished she’d done the second she set foot in Scotland – run. Rod might have fanciful – make that delusional – images of the town where he’d been raised, but all she could see was a place that needed a good PR person to improve and update its sad, sorry, broken down image.

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The town was comprised of a long row of houses on one side, with a sidewalk, a greenbelt, and the lake on the other.

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Rod pulled into a parking spot and came around to open the door for her. The sign on the front of the whitewashed building with blue trim and a slate roof said Waterside Café, Tearoom Takeaway. There were round picnic tables with bright blue umbrellas over the top in front. Rod straddled the bench of one, and motioned for her to have a seat.

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“Ye can go in and look at the menu board on the wall if ye like, or wait. They’ll bring ye a menu in a minute.”

“You don’t need one?”

“Nae. They know what I want.”

“How could they?”

“I’m a regular.”

“And you have the same thing every time?”

“For lunch, Stornoway Black Pudding Stack. It’s layered with apples and Stilton cheese. Pure dead brilliant.”

GR Blog - Stornoway

 “M’Lady? M’Lady? Are ye here?” Valan MacKenzie stood at the window where his wife had fallen to her death 500 years earlier and started to sing her favorite song in the hope she would come to him.

When bluebells start to bloom each spring, I’ll come to ye. My love I’ll bring.

My heart for ye, it always breaks. But sadness will nae overtake.

For hope lives on in each new day. My love for ye will find its way.

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Rod was holding two large china plates. “I took the liberty of getting some essentials since ye were asleep when we reached the grocery. I thought ye’d enjoy trying a full Scottish breakfast – eggs, bacon, sausages, potatoes, mushrooms, tomatoes and toast. I skipped the haggis and the black pudding on yer plate since ye seemed a bit squeamish about them yesterday, but the rest should be-”

Her stomach had started to roil at the word eggs. It wasn’t that she disliked eggs, but the thought of eating such a huge breakfast when she was stressed out and in an unfamiliar place and it wasn’t even breakfast time where she was from…

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They walked through the laburnum archway he and his da had planted a decade earlier. The slender yellow fronds were just starting to fade.

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A minute later, Katelyn came flouncing down the steps of the blue and white house where Colin’s office was located. He’d never met anyone – man or woman – with so much attitude.

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The taller one smiled. “Is Sea Worthy booked for the rest of the afternoon or are you free? We were hoping to see Kilt Rock and Portree from the sea.”

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“Do ye like fish? I’ve two nicely smoked haddock filets that I picked up in Portree this afternoon. My mother used to make something called Haddock Mornay. It’s been years, but I think I can remember how to make the sauce.”

Katelyn looked up and smiled faintly. Aye, the lass was warming up to him awright.

“My mum would make a roux and then stir a wee bit of garlic salt and some buttery, soft white Cheddar from the Isle of Arran into the cream. If ye’re a fan of fish, the taste of the Mornay sauce, o’er a bit of mash, is pure dead brilliant.”

GR Blog - Haddock Mornay

Rod tried to put Katelyn out of his mind as he walked back to the cottage. The deep, mossy scents of the forest floor, the sun-warmed pine needles, and the last remnants of the bluebells filled his nostrils with the familiar scents he loved so much. He could have spent all evening in the woods.

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Katelyn twirled slowly, not willing to miss a single degree of the panorama spread out in front of her. “Thank you so much for bringing me here. I can’t imagine a place more beautiful than this one.” She peeked through the lacey fronds of Scotch pines and Douglas firs that stretched from blue waters to bluer skies.

    GR Blog - Loch Carron

Rod put one arm around her shoulder and pointed with the other. “See the big white house on the other side of the loch? That’s Stromeferry, where my grandpa’s ferry used to operate.”

GR Blog - Stromferry

Katelyn looked past the feathery fir trees and the hillside covered in bluebells, and the buttercups in bloom, and caught a glimpse of the sky. Moody, grey, towering clouds cast shadows into each valley, every fold of the hillside, turning sunshine to gloom. She felt as unsettled as a changeling, which she might as well believe in now that she’d met a pair of ghosts and God.

She could have stood with her neck arched, looking up at the roiling clouds, forever. It wasn’t because they were beautiful, or even captivating. They were on the move, ever-changing. They were frighteningly unpredictable. They were out of control, so various and sundry that one couldn’t be sure what was going to happen from minute to minute say nothing about tomorrow. Just like her life.

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I hope you’ll read GOLDEN ROD when it comes out next month! Although you’ll see a few familiar faces from my first four Wildflowers of Scotland novels, it’s not necessary to read any of them to enjoy GOLDEN ROD.

The only way Katelyn O’Neal can save her niece’s life is to ruin Rod Mackenzie’s. One 600-year-old Scottish castle. A rightful heir. A legal heir. Two desperate ghosts. GOLDEN ROD by Sherrie Hansen. Coming from Indigo Sea Press in June 2017.

Golden Rod Front Cover Final

Sherrie Hansen’s Bio:
Twenty-five years ago, Sherrie rescued a dilapidated Victorian house in northern Iowa from the bulldozer’s grips and turned it into a bed and breakfast and tea house, the Blue Belle Inn.  Sherrie has also lived in Colorado Springs, CO, Augsburg, Germany, Wheaton, IL, and Bar Harbor, Maine. She grew up on a farm in southern Minnesota. After 12 years of writing romance novels, Sherrie met and married her real-life hero, Mark Decker, a pastor. They now share homes in 2 different towns, 85 miles apart, and Sherrie writes on the run whenever she has a spare minute. Sherrie enjoys playing the piano, photography, traveling, and going on weekly adventures with her nieces and nephew. “Golden Rod” is Sherrie’s tenth book to be published by Indigo Sea Press.

Links:

http://www.facebook.com/SherrieHansenAuthor
http://sherriehansen.wordpress.com/
http://www.BlueBelleInn.com or http://www.BlueBelleBooks.com
https://twitter.com/SherrieHansen
http://www.goodreads.com/author/show/2870454.Sherrie_Hansen

https://www.pinterest.com/sherriebluebell/

Wildflowers of Scotland Novels by Sherrie Hansen (3)

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Filed under photographs, Scotland, Sherrie Hansen, Travel

Golden-Haired, Most Fair, Prince Rod of Lachlan by Sherrie Hansen

If Prince Rod of Lachlan sounds like something straight from the pages of a fairy tale, you’re right.

Golden Rod painting

When Katelyn O’Neal, a reluctant “princess” from Minnesota, inherits a castle from a great uncle she met only once, she views the whole ordeal as a huge bother, except that selling the castle to a rich developer will pay for a very expensive, experimental cancer treatment for her 12 year old niece, Kacie.

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Rod MacKenzie, the illegitimate but rightful heir to Lachlan, has used his own time and money to take care of the castle and its magnificent gardens for years – despite the fact that his grandfather wrote him out of his will. Rod would love to live happily ever after in the land of his ancestors even though he’s always known it was an impossibility.

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Add Laird Valan MacKenzie and the lovely Lady Rosemary, a pair of 500 year old ghosts who are bound to the castle by age-old curses, and would do anything to escape the place, and you have GOLDEN ROD, a two-week romp through a lifetime of legends that turns everything upside down.

S - Brodick Castle

Lachlan – a centuries old castle on Loch Carron in Scotland. Kacie – a twelve year old girl whose dying wish is to see it. Laird Valan and Lady Rosemary – 500 year old ghosts who desperately want to escape it. Golden-Haired, Most Fair, Prince Rod MacKenzie – the rightful heir who loves Lachlan and its gardens even though he will never inherit.  Katelyn O’Neal – the legal heir who unwitting sold the castle to a low life scum at a high price.

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GOLDEN ROD, a Wildflowers of Scotland novel by Sherrie Hansen – coming from Indigo Sea Press in June 2017.

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Filed under history, photographs, Scotland, Sherrie Hansen, Travel

To Hear with Your Heart, To See with Your Soul (by Sherrie Hansen)

Writing and painting, although both creative expressions, are often viewed as being on opposite ends of the spectrum.

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Writers paint pictures with their words. Artfully crafted descriptions help readers visualize the setting of each scene, the appearance of the main characters, and movement within the scene.

Artists take a scene from their imagination and bring it to life with vividly colored paints, textiles or other mediums that you can see, touch, and feel. The only verbal expression that may come into play is a suggestive title of one or two words.

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Both mediums communicate emotion and tell a story. Both require the reader to bring their own interpretation and understanding to fully experience what the author or artist has conveyed through the words or visual expression they’ve chosen to convey.

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As a writer who’s always labeled myself as a visual learner, I think there’s good reason to combine word art and visual art.

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Some writers compile a storyboard to look at and refer to while writing a book.  Whether they tag related visual images on Pinterest or actually make an old-fashioned collage with cutouts from a magazine, these writers find it helpful to surround themselves with tangible images of their characters and setting. It’s become increasingly popular for authors to create a trailer to use in marketing their books – just one more way of pairing visual cues with the written word to enrich the reading experience.

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I’ve long taken photos to use in tandem with my books, even used my photographs on the front cover of my books for a creative tie-in.

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Then, a friend who’s an artist and the leader of an online group called Shedding Light challenged the members of the group to paint. I resisted for awhile, thinking I didn’t have the time or the talent. But I’ve always been attracted to artistic expression, collected paintings that called out to me, and found peace in having beautiful images in my home. Finally, I gave in to my fascination and picked up a brush. The paintings I’ve done so far are all reminiscent of Scotland, the setting of my last 5 books. In June, my husband and I visited several castles in Aberdeenshire, and saw hundreds of sheep and boothies dotting the hills of Skye, so I’m fortunate to be able to paint images that are fresh in my mind. When I start writing Golden Rod, my next Wildflowers of Scotland novel, in earnest, I’ll look back at the paintings I’ve done and let my imagination travel back in time.

Painting - Moonlight Mirage

When I’m writing, I’m required to be acutely aware of the pitfalls of using poor grammar, being overly wordy or cliché, not structuring my scenes just so, and a million other infractions that contradict the way a writer is “supposed to write”. When I paint, there are no rules – the more unique, creative, or even bizarre, the better. Painting is my time to let loose, relax, and spontaneously create what I see in my mind’s eye – with no restraints.

Which calls out to your heart – visual images or the written word? The ability to use one medium to enhance the other is a gift – and an opportunity not to be missed. The possibilities are as limitless as your imagination.

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(All photos and paintings used in this blog are Sherrie Hansen originals. The credit for my title goes to Michael Card, from his song, That’s What Faith Must Be.)

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Twenty-four years ago, Sherrie Hansen rescued a dilapidated Victorian house from the bulldozer’s grips and turned it into a B&B and tea house, the Blue Belle Inn. Sherrie and her husband, Mark, who is a pastor, divide their time between two different houses, 85 miles apart. Sherrie writes murder mysteries and novels whenever she’s not working at her B&B or trying to be a good pastor’s wife. Her contemporary romantic suspense novels include Night and Day, Love Notes, and Thistle Down, Wild Rose, Blue Belle, Shy Violet and Sweet William, her Wildflowers of Scotland novels.

 You can see what Sherrie is up to at: 

https://www.facebook.com/BlueBelleInn

 http://sherriehansen.wordpress.com/

www.BlueBelleInn.com or www.BlueBelleBooks.com

https://twitter.com/SherrieHansen

https://www.pinterest.com/sherriebluebell/

http://www.amazon.com/Sherrie-Hansen/e/B007YXQJ4W/ref=dp_byline_cont_ebooks_1

Sherrie’s new release is Sweet William. https://amzn.com/B01H2TUD3U

He’s a real sweetheart. She’s a wee bit tart. When Minnesota farm boy, William McKnight, and sassy Scot, Lyndsie Morris, are forced to work together in the kitchen of Rabbit Hill Lodge, the atmosphere is as charged as an episode of Chopped. Will someone get cut, or will they find a recipe that works? Things just start to get spicy when an angry bull butts his way into the picture, and Lyndsie has to decide if she loves William more than everyone and everything she holds dear.

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Filed under photographs, Scotland, Sherrie Hansen, writing

Castles, Kilts and Cows by Sherrie Hansen

I think by now, anyone who has followed my travels to Europe or read my Wildflowers of Scotland novels has figured out how I feel about castles and kilts. Although it’s a wee bit unusual to see a man in a kilt in the Midwest where I live, I saw an abundance of them at the Minnesota Scottish Fair and Highland Games earlier this month.

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Cows dot the hillsides and valleys all over the countryside in the rural areas of southern Minnesota and northern Iowa that I frequent – castles, not so much.

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While castles and kilts are one of the main reasons I set my most recent novels in Scotland, in Sweet William, I also came home to my Minnesota roots and Midwest connections. And the common denominator is the cow.

My first introduction to the Highlander breed of cows, commonly called Hairy Coo in Scotland, was 9 years ago at a B&B alongside Loch Ness.

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The owner hadn’t fed the coos their dinner for the day, so they were all gathered by the fence, waiting patiently, when we arrived to check in. When I started taking photos, she told me to pay close attention to how thick their hides were. She said they’d had heavy snow a few months earlier, during the cold of winter, and that the 7 or 8 inches that had accumulated on the backs of each coo during the storm stayed exactly where it fell for 2 or 3 weeks, until a stiff wind and warming temperatures finally blew and melted off their white winter coats. Their hides are so thick that not even their body heat melted the snow away. That was my first glimpse into why many hardy breeds of cattle come from the highlands of Scotland.

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I started watching for hairy coo wherever we drove from that point on, and included a scene with a toppled coo in Blue Belle. Michael St. Dawndalyn was embarrassed that he didn’t know more about coo even though he was from Oconomowoc, Wisconsin, deep in the heart of the dairy state.

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That’s only one of the Midwest Connections in the Wildflowers of Scotland novels. Although each of the characters in Wild Rose is native to the UK, beginning with Blue Belle, many of the main characters are from the Midwest.

Wisconsinite Michael and Virginia blue belle Isabelle are hiding out, hoping to escape their troubles by settling in a place far, far away from waging tongues and family dramas in their hometowns. When they discover that the world is a much smaller place than they’d thought, and it’s next to impossible to lose yourself in today’s electronic age, they end up back in the US to own up to the messes they were fleeing from.

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Both Violet and Nathan are from America, Nathan on a teacher exchange and Violet, on an ill-fated European Adventure. When they’re both haunted and very nearly destroyed by the past – despite their wish to create a new life for themselves in Scotland – they find that they’re made of stronger stuff than they’d once imagined.

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William, Michael’s cousin from southern Minnesota, appears at the very end of Shy Violet and steals the show with his buttery soft potato rolls and sweet Farm Boy BBQ sauce. The only one who’s not impressed is Rose’s niece, Violet’s friend, Lyndsie, who doesn’t like her meat – or her men – sweet. What happens next is like an episode of Chopped come to life, as sweet William and sassy Lyndsie spar in a charged cook-off.

Calamity strikes just when everything finally seems to come together, and on the other side of the globe, a whole new set of troubles present themselves.

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Scenes set in fictional Blue River, Minnesota and at the Minnesota State Fair will make Midwestern readers feel right at home. Fancy castle or farm house comfortable, there are quirky characters that readers can relate to in each of my Wildflowers of Scotland books.

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When I started researching cattle for Sweet William, I not only learned a lot about Highland cows, but French Charolais, and two other breeds that originated in Scotland – Belted Galloway and Aberdeen Angus. Without really intending it, cows became the unifying factor between Scotland and the United States.

Sweet William Black Angus best

My nieces and nephew raise cattle and show heifers at their county fair in southern Minnesota, so I had expert advice to draw on. My niece, Victoria, educated me about the different personality traits of various breeds – which are skittish, gentle, or aggressive and likely to be mean, which have horns, and which are polled (hornless), which are able to withstand poor soil, rocky terrains and wet climates, and which produce lean meat and best care for their calves.

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When it comes right down to it, there are likely more differences in cattle than there are in people. Although living conditions, traditions and perspectives may vary from culture and country, I think human nature is pretty consistent from one part of the world to another. A reader recently wrote to me and said, “Boy, you know people. I have been practicing psychology and social work for 45 years and you must have been sitting in the office next to me. You know your stuff!” Whether I’m traveling in or writing about France, Romania, Germany, Denmark, or Scotland, I love observing interactions between people.

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I’ve been told by several readers that when I started writing my Wildflowers of Scotland novels, they missed the local color, familiar places, and quirky Midwestern characters from my first five books, which are all set in Minnesota or Iowa. If you doubt that people are the same everywhere, check out the church ladies in Wild Rose. In the meantime, I hope my local readers are pleased that Sweet William is partially set on a farm in Southern Minnesota. Wherever you’re from in the world, I hope you’ll feel “at home” when you’re reading my books.

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Seeing the World in Blue and White by Sherrie Hansen

I’ve been hearing Scottish accents in my head for over a decade, and now, after returning from my second trip to Bonnie Scotland, my mind’s eye is just as steeped in images of the highlands and islands I’ve been writing about.

B&W View

Our trip was a flurry of wildflowers and walled gardens, castles and keeps, and lochs and legends. My mind is whirling with the characters and construct of a new story, ancient ghosts and curses, and modern day longings and desires set to clash like pitchforks and swords at Culloden.

B&W Flag Castle  B&W Blair Atholl

One of my characters is the “rightful” heir of a castle and as fascinated and enamored of Scotland as I am, the other is there only because she could find no other way to wiggle out of her duties as the legal heir of a castle she cares nothing about.

B&W Stained Glass

Even more exciting is the sense of déjà vu I feel about the Wildflowers of Scotland books I’ve already written.

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As I spotted each of the wildflowers I’ve featured in Thistle Down, Wild Rose, Blue Belle, Shy Violet, and Sweet William, and the castles and kirks that provide a backdrop for each of the stories, the characters have come to life for me all over again.

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One of the highlights of the trip was the day I left a copy of Shy Violet with a random staff member at Eilean Donan’s Castle Café, where many scenes in the book take place. A few days later, on our way back from the Isle of Skye, we stopped once more to eat lunch. The recipient pulled me aside, and in her delightful Scottish accent, said “I’ve begun to read yer book, and I’m loving it! Ye’re a very good author, and I thank ye so much.”

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The whole time we were at Eilean Donan Castle, I kept catching glimpse of people who looked like Nathan or Violet.

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William and Lyndsie, the stars of Sweet William, felt very close to me when we were on Skye – walking around the mysterious Fairy Glen at Uig, watching the cows graze on Claigon Coral Beach near Dunvegan and dipping a toe in the Fairy Pools at Glenbrittle. Because I know what happens to William while he’s on Skye, I had a deep, sense of foreboding until we were on our way home, and I knew everything was okay.

B&W Blue Belle Inn

There’s a magical connection between Scotland and me. I’m a Blue Belle, and always will be. (For those of you who don’t know me, I have a B&B and Tea House called the Blue Belle Inn.)

B&W Gifts

Loving the blue and white Saltire of Scotland is a natural extension of my love of blue.

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If you’ve yet to fall in love with Scotland, I hope you’ll pick up a copy of one of my Wildflowers of Scotland novels and see if the highlands and islands of Scotland resonate with you like they do me.

B&W Swan

Age old castles and blue-watered bays,

White sandy beaches and quaint cottage stays.

A rainbow of colors and chocolates, hand-dipped,

A valley of bluebells and sheep, freshly clipped.

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Legends galore, buried treasure, and more…

In the Wildflowers of Scotland novels, that’s what’s in store.

Twenty-four years ago, Sherrie Hansen Decker rescued a dilapidated Victorian house from the bulldozer’s grips and turned it into a B&B and tea house, the Blue Belle Inn. Sherrie and her husband, Mark, who is a pastor, live in 2 different houses, 85 miles apart. Sherrie writes murder mysteries and novels whenever she’s not working at her B&B – or trying to be a good pastor’s wife. Her contemporary romantic suspense novels include Night and Day, Love Notes, and Thistle Down, Wild Rose, Blue Belle, Shy Violet and Sweet William, her Wildflowers of Scotland novels.

B&W B&B

You can see what’s she’s up to at: 

https://www.facebook.com/BlueBelleInn

 http://sherriehansen.wordpress.com/

http://www.BlueBelleInn.com or www.BlueBelleBooks.com

https://twitter.com/SherrieHansen

https://www.pinterest.com/sherriebluebell/

Sherrie’s new release is Sweet William.

He’s a real sweetheart. She’s a wee bit tart. When Minnesota farm boy, William McKnight, and sassy Scot, Lyndsie Morris, are forced to work together in the kitchen of Rabbit Hill Lodge, the atmosphere is as charged as an episode of Chopped. Will someone get cut, or will they find a recipe that works? Things just start to get spicy when an angry bull butts his way into the picture, and Lyndsie has to decide if she loves William more than everyone and everything she holds dear.

Sweet William Front Cover

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Scotland Revisted by Sherrie Hansen

I will be in Scotland by the time you read this, perhaps on the Isle of Arran, touring Brodick Castle or walking amongst the rhododendrons in the walled garden. Perhaps I’ll be checking out of Lilybank Guest House, or on the ferry, headed to Craig Villa Guest House, near Loch Awe and St. Conan’s Kirk. I was last in Scotland nine years ago, and have been longing to return for at least five. Thistle Down, Wild Rose, Blue Belle, Shy Violet and Sweet William have kept images of picturesque kirks and castles, hairy coo, grazing sheep, colorful villages, white sand beaches, stone cottages and heather-covered hills fresh in my mind, but I think the need to be there in person, experiencing it firsthand, is born of a more ancient connection.

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Mark and I recently signed up for Ancestry.com and  discovered that my DNA is 43% Great Britain, and only 20% Scandinavian, a slight surprise since I’ve always thought I was half Danish. (There’s also Western and Eastern European mixed in from my Bohemian and German great-grandparents, and a dash of Italian – where that came from, I have no idea.)

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Although my Mom’s family, the Lightlys, were from England, my grandma and now mother have long told me about a supposed Scottish great-great grandmother. My English ancestors lived in the north part of Lincolnshire, near a village called Scotton.  My family tree is leafed with names like Scullin, Maltby, Harrison, and Mcintyre, and in my searches of the generations, I just found a reference to the Shetland Islands. Scotland in my blood. I feel it when I hear the bagpipes, the drums, or a Scottish accent. I feel it when I see a parade of men in kilts marching down the field, when I look out over the sheep grazing, when I see fields of purple heather in the highlands.

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Researching my novels (and watching Outlander – my guilty pleasure) has only fueled my passion for kilts, castles, highlanders, and all things Scottish. I’ve always known I was from hardy stock with a history of eking out a living in a part of the country that’s sometimes brutally cold and harsh. I love the sea, and rocks, and find a great affinity in the creative, yet no-nonsense foods, cottage décor, and crafts of Scotland. I love that the colorful wildflowers and woven plaids of the highlands are such a contrast to the gray and brown stone cottages lining the valleys and lochs. There is something primal and instinctual that binds me to the Scots.

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I have no idea if a new book will be born of this journey to the motherland. I’ve labeled Sweet William (coming soon from Indigo Sea Press) as the last of my Wildflowers of Scotland novels, but I named Violet’s baby Heather, leaving the door open for a look-ahead novel some two decades down the road. And there’s always Red Jasmine, Blue-eyed Mary, Cherry Primrose, Bee (Bea) Orchid, Golden Rod, Lily of the Valley, Seaside Daisy, Mountain Laurel, and other names I can use if I change my mind.

Sweet William

My main goal is just to relax and enjoy Scotland’s magnificent scenery and history. Everyone keeps telling my husband and me to travel while we can, so we plan to keep returning to Europe as long as we’re able – hopefully every year.

Scotland Lighthouse

There’s something to be said for getting out of the country, for going so far away that you can’t be easily found. Years ago, when I lived in Germany, my mom and dad came to visit me, and I learned this very important lesson. When I was little, our family went to Florida, Colorado, and northern Minnesota into Canada. Our trips were fun while they lasted, but on all these adventures, my Dad was still close enough to home that he was a little tense and consumed with wondering what was going on at home. A few times, after hearing the weather, or the news, or the crop reports, 5 or 6 days into a 8-10 day vacation, he would get worried or frustrated and utter the dreaded words, “Get in the car. We’re going home.”

When he and Mom arrived in Germany, with expensive tickets and a locked in return date, he had no choice but to relax and enjoy himself. This was before the days of email, Skype, texting with international minutes, or cheap long distance. Dad had no idea what was happening on the farm, and even if he had known, there was absolutely nothing he could have done about it.

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I saw a completely different side of my Dad on that trip. His sense of humor shone – he laughed and smiled and chatted with strangers and truly relaxed. It was amazing. He was like a new person.

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The same kind of magical transformation occurs between me and my husband when we travel. We get to know each other all over again. We rediscover ourselves when we forget the stresses of being a frustrated business owner and a busy pastor. We set aside the issues we’re preoccupied with and reconnect. Our tired brains and downtrodden psyches rejuvenate. Our bodies start to thrive again.

Scotland Bagpipes castle

I hope you’ll come along on our journey. You can follow me on Facebook or Instagram to see my photos, or wait for my next installment at Indigo Sea’s blog. Sweet William should be ready to release just about the time I return from Scotland. I’ll do my best to bring it to life for you in the meantime.

Age old castles and blue-watered bays,White sandy beaches and quaint cottage stays.A rainbow of colors and chocolates, hand-dipped,A valley of bluebells and sheep, freshly clipped. Legends galore, buried treasure, and

Bon voyage!

Wildflowers of Scotland.jpg

Twenty-five years ago, Sherrie rescued a dilapidated Victorian house in northern Iowa from the bulldozer’s grips and turned it into a bed and breakfast and tea house, the Blue Belle Inn.  After 12 years of writing romance novels, Sherrie met and married her real-life hero, Mark Decker, a pastor. They now split their time between 2 different houses, 85 miles apart, and Sherrie writes on the run whenever she has a spare minute. Sherrie enjoys playing the piano, photography, traveling, and going on weekly adventures with her nieces and nephew. “Sweet William”, Sherrie’s ninth book and the last of her Wildflowers of Scotland novels, is coming soon from Indigo Sea Press. You can find more information about Sherrie Hansen here:

WEBSITE  http://BlueBelleBooks.com  or http://BlueBelleInn.com

BLOG  https://sherriehansen.wordpress.com/

Twitter https://twitter.com/SherrieHansen

Facebook http://www.facebook.com/SherrieHansenAuthor

Goodreads  http://www.goodreads.com/author/show/2870454.Sherrie_Hansen

Amazon Author Page https://www.amazon.com/author/sherriehansen

Pinterest  https://www.pinterest.com/sherriebluebell/

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Pipers. Pirates. Passion. The Past. Shy Violet by Sherrie Hansen. May 1st.

When a poor choice and some wild fluctuations in the space time continuum leave school teacher Violet Johansen stranded in the car park of Eilean Donan Castle in Scotland, Violet wonders if she’ll ever find her way back to her comfort zone. She has two choices – to trust a piper who looks exactly like someone she dated a decade ago, or a band of nefarious pirates.   

Pirates.

21 BB 153 Scotland - Pirates

Pipers.

Scottish Bagpipe player 5

People – mistakes – from the past that rise up to haunt you at exactly the worst possible moment…

Scotland - Graveyard

A castle that’s been ravaged and rebuilt…

146 Scotland - Eileen Donan

Passion.

Food - Teatime

Paintings.

Shy Violet - painting

People from the past who threaten to tie you down for all eternity.

119 Scotland Lion Growl

Can Violet and Nathan’s fragile new friendship survive to see love reborn? Or is the past so set in stone that nothing can change it?

26 BB Flower - Violet Pair

Shy Violet.  Is it Violet’s turn to bloom, or will the past crush her hopes for the future? Will the promises Nathan made prevent him from enjoying the present he’s found in Violet?

ShyViolet Final Front Cover

“A cool blend of mystery, humor, suspense and romance, and wholly believable, delightfully flawed characters is genuinely enticing in this wild romp through the Scottish countryside with Sherrie Hansen.  Evocative, sensitive, sensible and sweet, these are tales with plenty of action and adventure, making a truly lovely read.”  Author Sheila Deeth, on the Wildflowers of Scotland novels

SHY VIOLET by Sherrie Hansen – coming May 1 from Second Wind Publishing

Sherrie Hansen’s Bio:
Twenty-three years ago, Sherrie rescued a dilapidated Victorian house in northern Iowa from the bulldozer’s grips and turned it into a bed and breakfast and tea house, the Blue Belle Inn.  Sherrie has also lived in Colorado Springs, CO, Augsburg, Germany, Wheaton, IL, and Bar Harbor, Maine. She grew up on a farm in southern Minnesota. After 12 years of writing romance novels, Sherrie met and married her real-life hero, Mark Decker, a pastor. They now live in 2 different houses, 85 miles apart, and Sherrie writes on the run whenever she has a spare minute. Sherrie enjoys playing the piano, photography, traveling, and going on weekly adventures with her nieces and nephew. “Shy Violet” is Sherrie’s eighth book to be published by Second Wind Publishing.

Links:

http://www.facebook.com/SherrieHansenAuthor
http://sherriehansen.wordpress.com/
http://www.BlueBelleInn.com or http://www.BlueBelleBooks.com
https://twitter.com/SherrieHansen
http://www.goodreads.com/author/show/2870454.Sherrie_Hansen

https://www.pinterest.com/sherriebluebell/

Books Titles: Night and Day, Maple Valley Trilogy – Stormy Weather, Water Lily, and Merry Go Round, Love Notes, Wildflowers of Scotland novels – Thistle Down (a prequel novella), Wild Rose, Blue Belle, and Shy Violet

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Five, Four, Three, Two, One… Time’s Up! Hands in the Air! by Sherrie Hansen

I’ve been watching back to back episodes of the TV show Chopped on the Food Network this week because I’m working on a murder mystery called “A Taste of Murder:  The Galloping Gourmet Gets the Trots”. The simple, three act murder mysteries I write for the Blue Belle Inn B&B’s acting troupe are fun, mostly silly, crowd pleasers. They always end where they’re supposed to, because someone invariably confesses at the end of Round 3. As simple a format as they are, I’ve learned several things while researching and working on them.

MM - Taste of Murder

On the show, Chopped, the contestants have 20 – 30 minutes to prepare an appetizer, main course, or dessert from the often odd and usually unrelated mystery ingredients in their baskets. When the countdown ends, they immediately put their hands in the air, step back from their work stations, and hope that what’s on their plate is good enough to avoid being axed on the chopping block. No matter that your delicious milk chocolate sauce – the one you infused with melted gummy bears because that’s what was in the basket – is still on the stove, momentarily forgotten, never to be drizzled over your hastily made Chantilly crepes. When the time is up, there’s no chance to fuss, make corrections, re-plate, or change your mind about this or that. You’re done. Finished. The end has come.

Food - Cupcakes

Sometimes, I wish knowing where to end my novel was as structured and simple as that. Hands in the air. Step back from your laptop. The end.

Zion - 2013 Sunset

This week I heard back from one of my beta readers, who told me she didn’t like the ending of my soon-to-be-released Wildflowers of Scotland novel, Shy Violet. What she said – and I think she’s absolutely right – is that I had a tight strand of a story with characters and drama masterfully braided in to a focused story line when all of a sudden, about 50 pages from the end, the story started to fray apart.

Sunset 2014 Grass

What I’d done was to introduce William, who’s going to be the hero of the next book in the series – Sweet William, and pull back the characters from the previous book in the series, Blue Belle, so I could use their wedding as a backdrop for the last few scenes of Shy Violet. In doing so, I stole the thunder from Violet and Nathan’s story and left Shy Violet with a weak, disconnected ending instead of a strong finish.

228 Fence - Hairy Coo babies

Although I didn’t realize it consciously at the time, I wasn’t sure how Shy Violet should end. Although I love my characters and the premise of the book, I was ready to be done with the story. I’d been working on it for over a year, and I’d already moved on emotionally. As I read back over the ending, I could see that I was scrambling to make my word count by adding scenes that never should have been part of the story.

139 Scotland - Mull sunset

So, when is it time to say, The End? How do you know when your story is finished? What makes a good ending? Most of us are taught to focus on the beginning of our story – the magical first scene, first page, first line – the all-important hook. After all, if you don’t get the beginning right, it won’t matter how the book ends because no one will read it. But there’s a lot to be said for a satisfying ending, too. In the restaurant business, it’s commonly held that customers base their tip on how full their waiter keeps their coffee cups at the end of the meal. Sweet, well-timed endings are what make a customer – reader – leave satisfied and eager to come back. What makes a great ending?

A good ending ties up all your loose ends quickly and concisely. No need to endlessly linger – if you haven’t made your case for inclusion of the thread by now, it probably shouldn’t be there in the first place.

No need to micromanage every little detail. Find a good balance and wrap things up.

A satisfying ending may include a teaser or leave you wondering what happened next. Embrace the mystery and let your reader fill in a few of the blanks. Imaginative readers like feeling that they’re part of the story.

Think hard and long about introducing new characters or themes toward the end of a book. If you’re writing a series, it’s tempting to move things in the direction you’re planning to go in your next book, but it may not serve the story and can be a serious distraction.

Scotland Sunset

Don’t be too predictable. A wonderful ending may include a surprise, or a twist that no one saw coming. Now is not the time to throw in something way out of the blue, but being startled or caught off guard can be intriguing if it builds naturally from a multi-dimensional, sometimes unpredictable character.

Endings can be happy, sad, maudlin, or inconclusive. They can leave you hanging or satisfy you on a deeply personal level. Asking yourself what kind of ending fits the theme and characters in your book will steer you in the right direction.

Let your characters tell you how and when the book should end. If your characters aren’t talking to you, maybe they’re not ready to end the book. Give them a little time, let things settle and sink in, and they’ll eventually tell you where they want to go. I often need a little time to absorb things and make sense of something that’s happened, especially after a very climactic scene or event. Your characters do, too.

217 Scotland - Celtic Cross1

Focus on the things that really matter. A good ending reflects the crux of your book, the theme or common thread that runs throughout the entire book. Ask yourself what the book is really about. The answer may surprise you, and it may be different than whatever the book was supposed to be about. That’s what your ending should be about, too. Addressing the things your readers have come to care about while reading the book creates a comforting consistency.

If you’re still stuck, go back and read the first two scenes of your book. Think of the beginning and ending as bookends to the story in between. The ending should be a mirror image of the start.

If you’re still not sure you ended the book at the right time or in the right place, let it sit for at least a few days. Read the last few scenes of the book out loud. If the end of your book evokes emotions in you, and gives you a deeper understanding of your self and the world you live in, then raise your hands in the air and step back from the table. Your book is done.

Food - violet tarts

If you’re dissatisfied or bored, or left feeling cold or confused, then be glad that as writers, no one holds a stopwatch over our heads and demands that we deliver a hot, perfectly-plated, artistic-looking, delicious-tasting product in 20 minutes or less. Be glad you’re a writer and not a chef.

Endings are complex, and they’re just as important as beginnings, because once you have a reader, you want to keep them, move them on to your next book, and the next, and the next. That’s what a good ending does. Questions asked demand answers. The world is full of symmetry, and I believe that finding it in the pages of your book will eventually give you the perfect ending.

ShyViolet Final Front Cover

You’ll be happy to hear that I’ve re-written the ending of Shy Violet twice now, and from all indications, I finally got it right. Hopefully, in a few weeks, you can read it and judge for yourself!

Happy endings, whether you like things nice and tidy and tied with a ribbon, or helter-skelter, with a few loose ends left dangling…

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Between a Rock and a Hard Place by Sherrie Hansen

My last three – soon to be four – books, set in Scotland, have plenty of castles and kilts, kirks and keeps.  Those, and a muscular highlander or two, are the things Scottish romances are made of.

13 Scotland - Band in Kilts

But my books are also laced with wildflowers – wildflowers that aren’t particularly Scottish. Roses, violets, bluebells and even thistles can be found nearly everywhere in the world, after all. So, what is the connection and why did I choose to set my Wildflowers of Scotland novels (Thistle Down, Wild Rose, and Blue Belle – available now, and Shy Violet and Sweet William – coming soon) against the backdrop of Scotland?

Scotland flowers by the sea

A Striking Contrast:  In a place where flowers grow in lush, abundant quantities, a shy, little violet growing along a mossy pathway, a bluebell that’s here and gone again in a two week window of spring, even a wild rose, get easily lost in the profusion. In a country built on a rocky foundation and filled with harsh, cold landscapes, dark, misty vales, cold, stone castles, and drab, colorless cottages, a wee wildflower or two provide the perfect bit of contrast, a much needed dash of color to an otherwise harsh landscape.

Doors - Luss

A Lesson in Survival:  Scottish wildflowers are a hardy lot who blossom and grow and shine despite hard winters, rocky soils, brief summers, extreme variations in weather, and other adverse conditions.

197 Scotland - Flowers in Stone

I hope you’re starting to get a feel for why I set my novels – modern-day mixtures of romance and suspense – against the backdrop of the Scottish countryside, and that you can see the Scotland I love in the bouquet of wildflowers I’ve picked for you.

WI2 - Thistle

Thistle Down – A prickly, purple thistle played the hero when an Englishman doing reconnaissance stepped on a particularly thorny specimen and let out a howl, alerting Scottish guards to an imminent invasion by the English. We’ve all been in situations where the odds are stacked against us, and whatever is happening in our lives is so dire and growing more hopeless by the minute, that we can’t imagine salvation is even remotely possible. And then, when all seems lost, something inadvertently wonderful and life-shattering happens, and all is well once again. Nothing like the sharp bite of a prickly plant coming out of nowhere to save the day!

201 Scotland -- Fence

Wild Rose – No tame, fragile, domesticated beauties for the extreme seasons of Scotland. Wildflowers are hardy, stubborn and determined to find a foothold whether they be planted atop a stone wall, set amongst ruins, or left for dead along the motor way. No playing it the safe way or being content with the status quo for these lasses and lads, who are risk-takers, trend setters and wild things, all.

175 Scotland - Cambo gardensraindrops

Blue Belle – There’s nothing quite so satisfying as glimpsing the first wildflowers of spring after a drab, icy cold, Scottish winter. That first bit of color is not only well-worth the wait, it’s the very thing that makes the whole frigid lapse bearable. Good things do come to those who wait. Springtime flowers are all the sweeter in Scotland, because you have to endure a bit of weather each year before the wildflowers return.

Scotland Duart Castle - Mull

Shy Violet – Scotland is a subtle, understated country in so many ways. No exotic, tropical flowers here. In Scotland, it’s about the simple, everyday things of life, pleasures born both of need and necessity. Keep your eyes open and you’ll see majesty galore in nature’s quiet offerings… a shy violet hiding behind a rock, a blush of heather in the hills, a splash of rhododendrons growing deep in the woods.

189 Scotland - Cambo gardensSea

Sweet William – From hardship grows character and determination and the sweet appreciation of the things that really matter in life. Gentle spirits born of adversity are so much more lovable than arrogant showoffs. How similar to the way of Scottish wildflowers – blooming not in showy profusion, but cropping up here and there in solitary clumps wherever there is a bit of fertile soil.

Blue Belle - promo jump

The thing about wildflowers, Scottish or not, is that they’re wild. Unpredictable. Full of surprises. Bent on blooming no matter what obstacles they’re up against. Determined to flourish and find a way even when they’re between a rock and a hard place – which is exactly what Scotland is all “aboot”.

7 BB Books - Scotland Promo

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The Doors of Dornie, Scotland by Sherrie Hansen

I have a confession to make. I’ve never been to Dornie. I’ve been as close as Eilean Donan Castle, but I was in a hurry to get to Fort William, and I never thought to go up into the village. Now, I’m writing a book called Shy Violet, the main characters are living in Dornie, and I’m left wishing I had walked a bit further and scoped out the town with my own two eyes.

That’s the way it is with doors. We choose to walk through them, or we skip on by, oblivious to what might be inside.

I’ve always been fascinated by doors, so when we started exploring Scotland, it came as no surprise that all kinds of unique and intriguing doors caught my eye.

Scotland - doors blue

Sometimes, when we get to a door, we’re hesitant to open it. Because doors can lead to places you’d rather not go.

Doors - Luss

Sometimes, when you see a door, you’re consumed with curiosity about what’s on the other side, and you can’t be happy until you know.

Door - Ayr

Doors can be a bit daunting – after all, one can never be quite sure what you’ll find when you open them.

Door - Castle

Doors can be portals to a make-believe world.

Door - Castle to Castle

The sights you see through an open door can make your imagination soar.

Door - Culzean

Doors can lead you deeper and deeper into a mystery that will take you who knows where.

Door - Double

Doors can lead to an alternate reality – perhaps one from which you will never escape.

Door - drawbridge

Doors can open up to adventures you’ve never even dreamed of.

Door - Edinbough

Doors – and the places they lead to – can inspire overtures and epic poems and all kinds of artistry.

Door - Fingal's CaveDoor - Fingal's Cave close-up

Doors can be common, comforting, familiar and welcoming.

Door - Sanctuary

Doors can be austere and foreboding.

Door - St. Michaels

Doors can be pretentious affairs.

Scotland - doors big

Doors can be plain and functional.

Scotland - door plain

When a door opens, light floods into the dark corners of you mind and enlightens every last nook and cranny.

Door - Sea

When you unlock a door, you never know what secrets you’ll uncover.

Door - Secret Garden

When a door shuts behind you, sometimes you wonder if you’ll ever go home.

Door - St A

Sometimes doors are a nice fit. Not too big, not to small.

Door - St Conans

Although it’s always wise to mind your head.

Scotland - door in a row

Sometimes doors dwarf you, and you wonder, who were these doors made for, giants?

Door - St Conans 2Some say that when God closes a door, he opens a window.

Door - St. Andrews

But we all know that when a door is closed, you can get left standing outside in the cold.

Scotland - doors closed

Next time you go in or out a door, I hope it leads to somewhere you want to be – maybe even Scotland – and that someone you love is waiting on the other side.

Scotland - door

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