After moving into my house here in Florida I set about trying to decorate it to suit the eclectic diversity of my possessions. I’d traveled extensively for years and many of my memories were tied to those travels in the form of furniture, statuary, paintings, masks, tapestries, etc. The trick was to try to keep my home from looking like the hodgepodge it actually was, and not, too terribly tacky. I am generally pleased with the way it all turned out, but I have to say, one room in particular presented a huge challenge. My 14’ x 9 ½’ one-step-down sunken sunroom.
I have an open floorplan with cathedral ceilings so my main living area has a living room with an island bar separating it from my kitchen and breakfast area and the sun room is located at one end of my living room with the step down and triple sliding glass doors separating the two rooms.
Each sun room side wall consists of patio type sliding glass doors. One side leads to the breakfast room and the opposite one leads to my office. The fourth wall is the back of the house outside wall which has two, 4 foot-wide jalousie windows starting two feet above the floor and going up to the ceiling, a glass single door/screen combo and one more small window, also starting at two feet above the floor and going up to the ceiling. I explained all this so that you could realize that at least 90% of the sunroom “walls” are clear glass doors and I had no idea how I was going to place any useful furniture in it.
My dilemma was I needed more walls, but I also needed the light the sunroom provided to brighten up the surrounding living room, office and breakfast room. Part of the solution came when a friend gave me her no-longer-needed room divider made of knotted jute cord. And that idea started me looking for other room dividers that were see-through. I found two “curtains” made of 2” coconut shell discs strung with black cord. The two curtains together were the width of two of the sliding glass panels leading to the living room. If all the sliding panels were drawn back or open, the three panels stacked into a recessed area at the end of the wall. If closed or partially closed, the recessed area was a blank single-door-size wall.
I decided to close the panels of the living room glass doors and leave one width doubled and open to walk through and then faux paint the blank recess area to look like a rock wall. Having never attempted painting rocks before, I wasn’t sure I could pull it off, but I wanted to give it a try. I wanted the rocks to look stacked up and maybe cemented in place, but I was having trouble visualizing different rocks. My yard doesn’t have any rocks in it, so I roamed around the house searching for something that looked like a rock. I found what I needed in the kitchen. An Idaho potato! Don’t laugh; it really looked like a rock. Ha! So I got my paints out and started painting with one hand and holding and turning the potato with the other.
After my painting project was done about a week later, I placed my reading chair and a small table against the coconut shell curtain and sliding glass panels between the sunroom and living room. A fountain was placed in front of the “rock wall”, and a knurly tree that I made out of a fallen limb from an outside tree went in the corner at the entrance to my office. The rest of the decorating project fell into place after that. I placed a rustic-painted ice cream table against the glass doors going into my office. My friend’s knotted curtain acts as a backdrop, and I put a wicker storage bench below the jalousie windows and a wicker tower cabinet in the corner near the entrance to the breakfast room.
After walking past that rock wall for years now, I’ve decided I’d like to try to make the rocks look a little more three dimensional by adding shadows in and under some of them and by darkening grout. I still don’t know how to do it, but I’d like to give it a go. Anyone have any suggestions? I’ll follow up with more pictures later when I finish. Please cross your fingers for me. FYI, I have noticed that the grout and some shadows look darker in my photos than in real life. Hopefully, I can make them more real looking.
Coco Ihle is the author of SHE HAD TO KNOW, an atmospheric traditional mystery set mainly in Scotland.
Join her here each 11th of the month.